Archives for category: neckrope

Now that Z has been home, watching her being ridden and riding her myself, my plan on her training has become clearer to me.

My purpose on sending her to RH has been accomplished – she knows about having a rider on her back and accepts it, she knows to go forward, she has some knowledge of moving off the leg, and some knowledge of bending to a rein aid. Right now she is light to requests on the rein and I want to keep that.

Where she needs her biggest work is in relaxing the body and “moving through.” Now is an excellent opportunity to establish this body memory – before she becomes trained to a “sport” or we get too concerned about collection.

In discussing this with Molly, she talked about Mark Russell’s work and how he relaxes from front to back, in order to ride back to front. Watching some of the exercises she was showing me, it came to me that this work is also similar to Peggy Cummings which helped me understand how I would be applying these principals in the future. The bending and stretching down, relaxing the poll, the axis, and the throatlatch will be ground work in her sidepull, reinforced with clicker training.

When I did a lot of ground work with Beautiful Boy, I used Hempflings Dancing principles as he was so good about mimicking the Handler. I had just started with Z when she left to the trainers, and while she is not as fluid as BB, this will be work that will help her lift her back and move more correctly. We’ll return to our mimicking on the neck rope and see if I can get her to start moving with a lifted back, relaxed neck etc…

Where I see this training differently then say, using the bridle, side reins, pushing into a frame etc…  is that the horse is more free to learn it on their own without the mechanics of tools. This gives the horse Choice, and when a horse has Choice, they may learn it slower but they learn it better. Although to get around the time element, I reinforce with the clicker: the horse mimics me correctly on the neckrope, and I click and treat, reinforcing it in this manner tells the horse “yes, this is EXACTLY what I want!”

Klaus Hempfling works with a lot of Baroque horses which naturally have a compact body and being Stallions, have a inherent energy to draw upon. To get a mare or a gelding, not from this genetic background, to move like a dream is a bit harder… and of course it’s ME doing it, and not Hempfling, so I do what I can. :P

The exercises by Dr. Hilary Clayton (Activate your Horses’ Core) that I did with Big Guy during his pelvis injury I will also start with Z, including the carrot stretches, the belly lift, pelvis flexion, and lumbar lifting with pelvis tilt. I’ll wait on the tail lift – she might kill me!

In riding, some of the things Molly wanted me to add was working towards Z stopping with a relaxed neck head (as opposed to a highly held head which inverts the back). Yesterday, we worked on this by asking her to bend to the inside, slowing her pace and doing it in a relaxed manner. For example she did a lot of slow walking while circling.

She said that after a horse is trained in this way,  a slight touch on the inside rein will become a cue to a halt. This makes sense as my cue for a downward transition (canter to trot) is that both legs come back to the girth.

Another aspect of riding we are working on, that will be trained via lunging, is the responsiveness to a request. Meaning if I asked for trot, I want the trot, not more walking. This aspect doesn’t really concern me because with the Hempfling neck rope and mimicking work, this will become established. For example, I did a little experiment where I lifted my knee up – the cue I had trained her too before she left to the trainer, and Z took the trot on the lunge.

The next few months will be about strengthening her body, fostering a positive muscle memory of good form, and fine tuning her responses to the requests for walk, trot, leg yield, shoulder-in, and eventually a canter depart. We have lots of great work to be done and I can’t wait!

I decided to work Z with the neckrope in the large arena as well as start working with ground poles and caveletti. I continue to be fascinated with the neckrope vs. the halter and how it effects the horses movement, our interaction and the psychological differences for horses and human.

I don’t think you could take your average horse and immediately work him with a neckrope in a large arena and become anything but frustrated. Horses trained to follow with a leadrope and halter, will, with a neckrope, may use their sudden freedom to not listen.

In watching Klaus Hempflings’ videos and reading his book Dancing with Horses, he also starts with the halter before moving onto the neckrope; though I am sure that he does it far quicker then I do and with more elegance and less mistakes.

When a horse is in a halter/leadrope combo, the handler has far more control over the horse, with far less freedom on the part of the horse. Generally, we lead in the front which is one of the most dominant positions (see Klaus Hempfling). I can’t fully explain how much more control you have with a halter/lead then a neckrope, so I would suggest that you do it as an experiment and if you keep your mind open, will realize how much we depend on moving the horses’ head to move the horse.

What I noticed today was when I changed from the halter/leadrope (which I started with first to make sure she was paying attention) to the neckrope, Z’s body posture changed slightly. Some slight stiffness she was holding in the bends and in her neck immediately vanished. This was subtle and probably would not have been picked up by video.

This begs the question of how much the horses’ stiffness is actually because of the training we use? Even if we are careful not to “force the horse into a frame” the horse must be reacting to pressure and pushing against it with his energy thus resulting in stiffness. Back to physics: everything reacts with equal and opposing energy (Newton’s Third Law of Motion); a tug on the leadrope or reins may bend the horse but there will also be some resistance on the part of the horse in terms of opposing pressure.

It’s why I’m coming to the realization that throughout the training, I’ll have to continue to return to ‘relaxedness’ on the part of the horse. This is even more true of Dee which I will write more of later…

When Z was on the neckrope today and she was in charge of moving her own energy, she relaxed into her own natural headset and balanced movement (which actually is quite nice). She was moving from back to front, no tripping or crookedeness.

For those that use “pressureless” training – there is still some sort of pressure and in this instance, the pressure would emotional/psychological. The horse has a motivation and a desire to perform which springs from an emotional and psychological connection to the handler.

A cute thing that happened was that I placed her in a position to travel over the ground pole and then the caveletti. She did so and got a treat. After a few moments doing other things, she took me over to the ground pole/caveletti and crossed it clearly expecting a treat (which she got). Later though she decided it was too much work for too little reward :P

Working with the neckrope, it’s quite clear that the horse has the upper hand,

I am standing on the brink  of great understanding. Things are becoming clearer in the work and a depth that I have been searching for is being realized.

Things that I have not grasped, that elusive star out of reach, is now a possiblity. Much to do and learn still (of course) but yet, an orgasmic intellectual joy in seeing mind and body and spirit aligning.

Many events over the last two months have conspired to start me down this path…

Gallop to Freedom has been so helpful; things that I have been believing from Klaus Hempflings, Dancing with Horses and What Horses Reveal came into focus with Gallop.

Reading What Horses Reveal this week, soaking into the first two sections which explores the symbolic and even mythological Jungian-style aspect of the horse: Horse as Chaos and Mirror. Things that I had thought I understood, were suddenly cast into a different light…

By coincidence (?) or serendipty, some of this actually relates to Julians’ latest post…that of the Shepherd (which Hempfling discusses in some depth) - and the relationship the Shepherd has with the sheep that he leads or is led by…?  and the Fool, or Child Aspect (which again is part of the approach Hempfling encourages in keeping an open mind to learning about your horse (aside – did  you Julian understand that Graydeer in the story is this aspect…?)

Hempfling talks about a series of photos of him working with a horse: is he leading the horse or is he putting himself in the place that the horse will go?

Revealing work with Z tonight in doing this Mirror exercise – putting myself in the path that Z wanted to go, (to the Centered Riding exercise Dancing Hands and paired Tantra breathing exercises).

A halter, leadrope and two beings facing each other, focused and moving back and forth with no end. It didn’t last long but is the key to the door opening the path I want to go…

I had a wonderful day today with the horses and have much to report back to you…

Even though it was hot hot hot – and 100 by 11 a.m. :(

Anyway let’s focus on the good. First, after doing some liberty work with Z, we did some work in a neckrope. This is a cotton rope that is fastened loosely about her neck and during the work, the rope has plenty of float (that’s the term Dorrance uses for slack that is not dragging the ground nor is tight).

I tried this with T-man years ago (way before Z entered the picture) and it was a failure. All I had to go by was some photos in Klaus Hempflings book Dancing with Horses and not much else. I didn’t know how he fastened it, how he cued the horse (who was more used to a halter) to follow his dancing or much else. I was also vague about what it accomplished but it looked so great…!

Hmmmm

Well today was the closest I’ve every gotten to making it work and it is so exciting to see the progress Z and I have made over the last year in this video!

My discoveries and thoughts:

1.) Until you master the horse paying attention to you and following you about (like on a halter/leadrope, lungeline or liberty work), this will not work for the average (me) horse person.

I am convinced that certain folks, Hempfling among them, probably has a lot of natural animal magnetism that I simply don’t have.

2.) All the companion walking really paid off – this is where your homework will lead you to your dream!

3.) The cotton rope I used had a clasp at one end. I put it about Z’s neck and then parted one of the strands of the rope and connected it on, making sure it was quite loose about her neck but not to the point of falling off.

4.) More work is needed on changing directions so it becomes a better flow. Right now the dance has a lot of fits and starts while the two partners learn how not to step on each others toes and who the lead is.

Wow! What really impresses me is the natural, relaxed headset and movement she achieves in this video. Some of her bends flow and are so effortless – and all without anything on her face which let me tell you is far more hard then it looks.

She has come soooo far this last year! I am so proud of her!